Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.  Related Paintings of Francisco de Goya :. | Portrait of don Bernardo de Iriarte y Nieves Ravelo | Portrait of Dona Isabel Cabos de Porcel | Courtyard with Lunatics or Yard with Madmen | Fight with a Young Bull | The Last Communion of St Joseph of Calasanz |
Related Artists:
Eugene Buland
1852-1927 French Eugene Buland Locations
John Blake White
(1781 - 1859). painted The Battle of Fort Moultrie in 1826
Giacomo Favretto
Abbandonata la bottega di falegname paterna, frequenti dal 1864 l'Accademia di Belle Arti di Venezia, dove le lezioni impartitegli misero in luce le qualita innate di pittore, evidenziate in una delle sue opere maggiori La lezione di anatomia (1873). Nel 1878 compi un viaggio a Parigi insieme a Guglielmo Ciardi. Il viaggio fu determinante per l'evoluzione della sua arte, come tecnica e come soggetti (non solo scene di intimita familiare ma anche soggetti in costume settecentesco). Riscosse un ottimo successo, si fece conoscere a livello internazionale e assimilo una certa tendenza al manierismo. Del 1880 e l'opera Vandalismo, premiata a Brera, dove fu esposta ed e attualmente conservata. In queste opere l'artista si converti verso un'animazione realistica, un uso della coloristica controllato, un grande dispiego inventivo e una delicatezza tonale. Negli ultimi anni le opere del Favretto assunsero una sempre crescente luminosita ed una struttura sempre piu naturalistica. Mori nel 1887, durante l'Esposizione nazionale artistica tenutasi nella citta lagunare, nella quale l'artista esponeva Il Liston.